Karlie Kloss just walked in the Victoria's Secret show the other night.

Now, there are reports the 20-year-old is dating 27-year-old financier Joshua Kushner.

The company claims that it can identify a person from a photo 70 percent of the time, a rate of success effectively verified by a Russian artist who tested it out by taking photos of whomever happened to be sitting across from him on the subway.

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Whereas that left you in no doubt whose side you were on – because while Tom Hanks was brash and laddish he was ultimately decent and loved his fiancé, and her parents were a bit stuck-up – here the roles aren’t reversed; you’re just watching the same thing from the other side of the room, unsure why you’re having to cheer on the wrong guy.

Cranston’s journey here is stuffed-shirt to badass, which is obviously pretty familiar territory for him, but this fulfilment comes late on, so in the main he’s there to represent our own reaction to Laird’s clowning.

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She has found love again, but this time in a tech and business entrepreneur who is 10 years older than her.

"She was left really hurt by her break-up with Matthew and it's taken her more than a year to feel ready to start again with somebody.

A director who co-wrote all bad; it just misfires a lot, and fails to make much hay out of a strong concept.

It’s Franco who should be riffing the most and he has a good go, but you can’t shake the feeling his heart’s not in it.

You're never in doubt that he's a good guy trying to do the right thing; he’s just oblivious to social niceties.

So really the problem is that Cranston’s Ned is a bit too stuffy and needs to get over it, but that’s not the story we’re sold: we’re supposed to root for him to expose Laird as an unsuitable husband. Effectively this is seen through the eyes of the father-in-law rather than the groom.

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