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Zimmer's works are notable for integrating electronic music sounds with traditional orchestral arrangements.
Using that term to describe Wrocław somehow feels wrong: cities are for people, fortresses are for the military. Heavy Soviet artillery outside beleague- red town of Breslau; in the front a sign with the inscription "Surrender Breslau", February 1945. East News Since then, for over 50 years, it has been torn between the realities of a normal, European city and an impenetrable fortress; between the official reality and the one hidden from public view.
But for three months in 1945, the city-turned-fortress ceased to exhibit any human qualities. The city was simple, poor, had no new, impressive architecture.
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The concept of Wrocław as a fortress is an echo of the last days of Hitler’s “Festung Breslau.” The city was supposedly one of the last to surrender, long after the fall of Berlin. The town having been declared a "fortress" from February 1945 (encircled by Red Army) to the surrender on .
He was also named on the list of Top 100 Living Geniuses published by .
Zimmer was born in Frankfurt am Main, Germany on 12th September 1957, and moved to London as a teenager.
It got patched up after the war, fixed with a few new boroughs full of apartment blocks – just like the ones in Sofia or Vladivostok – and that was it.
Life was hard, the lines were long, the streets dirty and poorly lit, just like everywhere else.
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The piece features not only the Pictures In a Row conference room, but also Picrow staff members hidden in plain sight.
The video is engrossing, pulling the viewer into —Latin American artists Léon Ferrari and Mira Schendel who used the visuality of language as more than the vehicle for communication but as the thing to be shaped and molded itself.